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The Mezcal Boom & Oaxacan Palenquero Self-Esteem

7/4/2022

1 Comment

 
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                                   Fortunato Hernández, San Baltazar Chichicapam
Alvin Starkman, M.A., J.D.
 

Over the past 15 years, perhaps less, there has been a significant change which has gone largely unnoticed, in the self-esteem, psyche, and spirit in distillers and their family members throughout the state of Oaxaca. Visitors who come to Oaxaca for the purpose of sampling and buying mezcal, for learning about the culture of palenqueros and their families, and for a plethora of other reasons, periodically comment on changes observed over the past several years. Things are rather different today from what they experienced on an earlier visit or from what they have been told. But the one profound change is simply not acknowledged, even by those who regularly visit. 
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                                 Felix Ángeles Arellanes, Santa Catarina Minas
One of the two differences which does jump out is prices charged for mezcal in the villages near the city of Oaxaca. A dozen years ago a liter of espadín cost as little as 20 pesos, and now it’s upwards of 300 pesos. The other main difference upon which many of the clients of our Mezcal Educational Excursions of Oaxaca comment, is in the installations at the palenques: more ovens, stills and fermentation vats; added and up-graded distillation and bottling facilities; relatively modern and/or updated concrete homes where previously much more simple adobe abodes existed; and newer vehicles (while some are still car-less).
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                        At the palenque of Manuel Méndez, San Dionisio Ocotepec
That’s all fine, and certainly welcomed by the families of palenqueros, but it’s merely “stuff.” A much more important change has begun to take hold, and it’s rather apparent. Material possessions can do only so much for the soul of a people.  

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                             Juana Mateo serving aguamiel, Santiago Matatlán
Prior to the mid-1990s’ commencement of what I term the modern era of mezcal, very few people were interested in the agave distillate. In the US that gut-wrenching hooch was drunk mainly in shots, by youths who couldn´t afford anything better, with all manner of myth about who gets the worm. In urban Mexico it was shunned, a drink for poor village folk.  Then the pilgrimage began. 
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                    Victoria Ramírez illustrating ABV, San Baltazar Chichicapam
Along with those wanting to learn, buy and sample, came the rest; the entrepreneurs interested in starting their own brands, the professional photographers, the documentary film makers and other media sorts. And so a transformation began, not merely bringing more revenue into family coffers, but something much more profound and “needed,” I would suggest; a dramatic change in the self-esteem and sense of self-worth of the palenqueros, their partners, sons, daughters, parents and grandparents. 
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  Estela Hernández' home with a group of mezcal aficionados, San Baltazar Chichicapam
Although my introduction to the world of mezcal began with my travels to the state in the late 1960s, I must confess that my memory of visits to palenques and to the homes of the makers of mezcal is vague at best. But my witnessing of the noted metamorphosis, beginning in the early 1990s, does indeed afford me an opportunity to comment on change ushered in which began in earnest with the beginning of mezcal’s modern era. 
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                                        Reina Sánchez, Distrito de Miahuatlán
In previous years, palenqueros and their family members were extremely meek, modest, and at times interacting with visitors from abroad with literally their heads bowed down. It was as if they were close to being embarrassed about what they did for a living; “try it, I have two or three kinds of mezcal which might interest you.” Not now!
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Cutting an 1,100 pound arroqueño (Agave americana oaxaquensis), Santa Catarina Minas
Today there’s a rather discernable sense of self-pride in their craft, in how they make their distillate. Even without a request being made they are anxious to illustrate each stage of production. There is a sense of self-worth, and confidence that you will want to learn from them and have them and their partners and their children have you sample their mezcal.
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               In the process of making a hand-stitched tortillera, Distrito de Zimatlán
Of course, each distiller wants to make a sale. But now there’s something more, in their affect, in their interactions with those from outside of their world. Heads are now high, smiles peak through, “come and let me show you this.” If you buy, that’s great, but if not, the palenquero has nevertheless obtained something equally if not more important to him and his family members, a shot in the arm of self-respect, dignity, and sense of worth which money cannot buy.  
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                                 Santos Martínez, San Lorenzo Albarradas
And now, when the photographer shows up at the palenque, there’s no longer the retort that he doesn’t want his soul to be stolen. He wants to be pictured online and in magazines. He wants to be one of the subjects in a documentary. 
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                                         Rodolfo López Sosa, San Juan del Río
I personally detect the pride, the enthusiasm, the courageousness, all shining through at every turn; perhaps not as much when interacting with middle class urban Mexicans who in recent memory would not even venture into the villages beyond just passing through along a highway to somewhere else. But still, even then, there’s a glimmer of difference in self-image, as if to say “now what do you think about what I do.”
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                  At the palenque of Lencho García & son Silverio, Rancho Blanco Güilá
And so come for a visit to rural Oaxaca armed with cameras and video equipment. Don’t feel like you are intruding into their worlds and will be perceived as mere gawkers; nor embarrassed that you might not buy enough or any at all. Understand that you’re doing your part to help the palenquero and his family. Money buys a little, but more importantly, sampling agave distillates from the source is like serving chicken soup … it’s good for the soul.

Alvin Starkman operates Mezcal Educational Excursions of Oaxaca (www.mezcaleducationaltours.com). He and Spike Mafford, photographer, collaborated on the recently published book, Mezcal in the Global Spirits Market: Unrivalled Complexity, Innumerable Nuances, Third Expanded Edition with Portraits.

1 Comment
Trey
7/6/2022 08:32:55 am

I love the stories about family members returning from the US to work back in what they left behind.

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    Alvin Starkman owns and operates Mezcal Educational Excursions of Oaxaca. Alvin is licensed by the federal government, holds an M.A. in Social Anthropology, is an accomplished author regarding mezcal and pulque, and has been an aficionado for 25 years.

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    Rosario Angeles Minas
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    Unique Palenqueros
    Whiskey Mexico
    Woodcarver & Agave Motif

    Categories

    All
    Agave Bats Pollination
    Ancestral Mezcal; Categories
    Bar Cantina Mezcal Oaxaca
    Business Of Mezcal
    Buying Mezcal Considerations
    Buying Mezcal In Oaxaca
    Clay Pot Resourcefulness
    Craft Spirits Mezcal
    Cultural Appropriation & Mezcal
    Dogmatism In Mezcal Industry
    Ensambles Mezclas Mezcal
    Exporting Mezcal Importing
    Future Of Artisanal Mezcal
    Global Mezcal Boom
    Guides
    History Of Distillation
    Huatulco Mezcal Zipolite
    Kosher Mezcal
    Marijuana & Mezcal
    Mezcal Cocktails
    Mezcal & Dogmatism
    Mezcal & Education
    Mezcal Export
    Mezcal Fair Trade
    Mezcal History Oaxaca Recicado
    Mezcal: How To Select Brands
    Mezcal In Toronto Ontario Canada
    Mezcal & Methanol
    Mezcal Teotitlan Rugs
    Mezcal Underside
    Migration Mezcal Oaxaca
    Palenquero Esteem
    Pechuga Mezcal Oaxaca
    Pulque Aguamiel Harvest Oaxaca
    Rosario Angeles Minas
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    Woodcarver & Agave Motif

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